Subject - 기록
- 2024 Reviews “Voices of ‘Comfort Women’” as History in Progress
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In 2022, as a result of Japan’s aggressive diplomacy, UNESCO’s MoW inscription rules were revised to require all documents to be submitted through national governments. Additionally, if a concerned country objects, the application is halted from entering the review process and must instead undergo a so-called “dialogue” procedure. Under these revised rules, any attempt by a victimized country to submit documents related to the Japanese Military “Comfort Women” is likely to be blocked before even reaching the review stage due to Japan’s opposition.
- 2024 Reviews The Unique and Irreplaceable “Voices of ‘Comfort Women’”
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The history of the Japanese Military “Comfort Women” issue has challenged long-standing conservative cultural norms regarding women and sexuality in Asia by amplifying the voices of the victims. Moreover, it has contributed to the establishment of globally significant norms and values related to women’s human rights. This means that the records documenting the Japanese Military “Comfort Women” issue and related activities meet the criteria of “world significance.”
- 2024 Reviews Voices of “Comfort Women”: A Global Civic Movement for Memory
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The suffering of the Japanese Military “Comfort Women,” one of the most tragic human rights abuses of the 20th century, should be preserved and managed as historical documentary heritage. This is crucial to prevent such atrocities from recurring and provide a lesson to future generations.
- 2022 Interviews Calling Kim Soon-ak’s “Names”: An Interview with “Comfort” Director Emmanuel Moonchil Park
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Kim Soon-ak was referred to by countless names throughout her life: As we can guess from her multiple names, her life was full of twists and turns we didn’t know or didn’t want to know about.
- 2021 Interviews Meeting “Comfort Women” Victims’ First “Art Teacher” - Interview with Artist Kyung-Shin Lee, Author of “Flowers Unbloomed”
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The first “art teacher” of the “Comfort Women” survivors who live in the House of Sharing. I met and listened to the story of artist Kyung-Shin Lee, the author of “Flowers Unbloomed,” which contains the behind story of the painting class she conducted for five years from 1993.