Subject - 재현
- 2022 Essays Who is afraid of images?
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In August 2000, I videotaped the medical examinations of the Japanese military “Comfort Women” victims in preparation for the upcoming “Women’s International War Crimes Tribunal” scheduled for Dece
- 2022 Interviews Calling Kim Soon-ak’s “Names”: An Interview with “Comfort” Director Emmanuel Moonchil Park
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Kim Soon-ak was referred to by countless names throughout her life: As we can guess from her multiple names, her life was full of twists and turns we didn’t know or didn’t want to know about.
- 2022 Interviews Problems in the Ethics of Female Representation
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A Conversation between Gina Kim and Han Sang Kim
- 2022 Reviews Gazing at the “Death Pit” and Representation of the Memories of “Comfort Women” Victims
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She deals with the issues of how the victimization of women in the post-colonial Korean society is represented, what type of gaze operates here, and what the gaze ultimately strives to see.
- 2021 Interviews The Most Beautiful Metaphor of the Nature of “Violence” - Interview with Kwon Yoon-duk, Author of “Yong, Maeng Ho”
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More than 10 years after the publication of the picture book “Flower Granny,” which tells the story of Sim Dalyeon, a victim of the Japanese Military “Comfort Women,” author Kwon Yoon-duk released “Yong, Maeng Ho,” the main character of the Vietnam War veteran. What is the story left by the author who has pointed out violence in Korean history through her works?