mass media
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- How a Diaspora Director Talks About the “Comfort Women” Issue Through a Documentary
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The documentary film <A Boat Departed From Me Taking Me Away>, directed by Cecilia Kang, a second-generation Argentine of Korean descent, follows the journey of the protagonist, Melanie Chong, as she confronts and grows increasingly aware of the issue of the Japanese military “Comfort women.”
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- Meeting “Comfort Women” Victims’ First “Art Teacher” - Interview with Artist Kyung-Shin Lee, Author of “Flowers Unbloomed”
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The first “art teacher” of the “Comfort Women” survivors who live in the House of Sharing. I met and listened to the story of artist Kyung-Shin Lee, the author of “Flowers Unbloomed,” which contains the behind story of the painting class she conducted for five years from 1993.
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- Now/here, the inside and outside of the 'comfort women'1 films, Part 1 - <Spirits' Homecoming> as a ‘male-oriented movie'
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Written by Son Hee-jung, Yonsei University Institute of Gender Studies
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- Now/here, the inside and outside of the 'comfort women'1 films, Part 2 - It is possible to imagine differently
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Written by Son Hee-jung, Yonsei University Institute of Gender Studies