Subject - 재현
- 2024 Interviews How a Diaspora Director Talks About the “Comfort Women” Issue Through a Documentary
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The documentary film <A Boat Departed From Me Taking Me Away>, directed by Cecilia Kang, a second-generation Argentine of Korean descent, follows the journey of the protagonist, Melanie Chong, as she confronts and grows increasingly aware of the issue of the Japanese military “Comfort women.”
- 2022 Essays Who is afraid of images?
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In August 2000, I videotaped the medical examinations of the Japanese military “Comfort Women” victims in preparation for the upcoming “Women’s International War Crimes Tribunal” scheduled for Dece
- 2022 Interviews Calling Kim Soon-ak’s “Names”: An Interview with “Comfort” Director Emmanuel Moonchil Park
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Kim Soon-ak was referred to by countless names throughout her life: As we can guess from her multiple names, her life was full of twists and turns we didn’t know or didn’t want to know about.
- 2022 Interviews Problems in the Ethics of Female Representation
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A Conversation between Gina Kim and Han Sang Kim
- 2022 Reviews Gazing at the “Death Pit” and Representation of the Memories of “Comfort Women” Victims
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She deals with the issues of how the victimization of women in the post-colonial Korean society is represented, what type of gaze operates here, and what the gaze ultimately strives to see.