The history of the Rohingya genocide in the world’s largest refugee camp and the hope nurtured by women amid an ongoing struggle for survival.
Lee Yu Kyung
A report on the “Comfort Women” survivors rescued by the Allied Forces, as featured in the Chinese magazine “Da Zhan Hua Ji,” published just beforethe end of World War Ⅱ.
Liu Guangjian (刘广建)
Film researcher Hwang Miyojo sheds light on the documentary film “The Silence” produced by female director Park Su-nam, a second-generation Korean-Japanese. Director Park documented the struggle of Lee Ok-sun, who demanded that the Japanese government apologize and provide compensation, together with 14 colleagues.
Hwang Miyojo
Byeongju Hwang
Written by Jeong Yeong-hwan, Professor at Meiji Gakuin University, and Pak Noja, Professor at the University of Oslo
Jeong Yeong-hwan
The photo exhibition , in which the victims of the Japanese Military ‘Comfort Women’ (called ‘Comfort Women’) from South Korea and North Korea join together, was held from March 6 to 11 at Exhibition Hall 2 of the Insa Art Center.
Ahn Hae-ryong