Rose Camastro-Pritchett’s “Comfort Women” project uses art to honor the dignity and strength of survivors of wartime sexual violence. Inspired by her research and personal experiences, she creates intimate, respectful works that connect historical trauma to ongoing conversations about gender-based violence today.
Rose Camastro-Pritchett
Palestinian women who endure and resist occupation, oppression, and patriarchal structures, steadfastly continue life for the next generation.
Lee Dong-hwa
The documentary film , directed by Cecilia Kang, a second-generation Argentine of Korean descent, follows the journey of the protagonist, Melanie Chong, as she confronts and grows increasingly aware of the issue of the Japanese military “Comfort women.”
Cecilia Kang
The Japanese military “comfort women” have been a subject of transnational feminism that criticizes the patriarchy of war and talks about peace and a symbol connected to the unfinished issue, sexual violence against women.
Kim Eun-ha
Being simultaneously vulnerable, damaged, in the midst of anger, yet refusing to be consumed by that anger, courageous, and a fighter is the unique struggle of victims. Paradoxically, victims possess a special dignity in the minute possibility of becoming all of these beings at once.
LEE Nara
In the second round of conversation with young scholars, we met with young researchers and activists Lee Eunjin, Lee Jaeim, and Choi Sung Yong, and asked what the issue of the “Comfort Women” in the Japanese military means to their lives, and how it motivates them.
Editorial Team of Webzine
Kim Soon-ak was referred to by countless names throughout her life: As we can guess from her multiple names, her life was full of twists and turns we didn’t know or didn’t want to know about.
Purplay Kang Purm
the blanks in written language can connect us to the past more powerfully than the original voice, depending on how we relate to the testimonies.
Song Hye-rim
Rada Iveković
Carol Gluck
Now that a considerable amount of time has passed since the issue of the Japanese military “Comfort Women” was publicized, what are the questions young researchers are asking here?
Editorial Team of Webzine <Kyeol>
Kim Soom’s novel “One Left”(Hyundae Munhak) is a work that announces a new turning point in the era of testimony. worldview formed ahead of these final moments, and can it present us with meaningful realistic possibilities not only in literary terms but also social and historical ones?
Park Hye-jin