The author – an ethnomusicologist – invites us to listen to “Comfort Women” survivors’ songs as a way to understand their lives and to remember them.
Joshua D. Pilzer
A review of Unsilenced: Sexual Violence in Conflict, the UK’s first exhibition focusing on the issue of sexual violence during modern and contemporary global conflicts.
Nikolai Johnsen
Rose Camastro-Pritchett’s “Comfort Women” project uses art to honor the dignity and strength of survivors of wartime sexual violence. Inspired by her research and personal experiences, she creates intimate, respectful works that connect historical trauma to ongoing conversations about gender-based violence today.
Rose Camastro-Pritchett
The documentary film , directed by Cecilia Kang, a second-generation Argentine of Korean descent, follows the journey of the protagonist, Melanie Chong, as she confronts and grows increasingly aware of the issue of the Japanese military “Comfort women.”
Cecilia Kang
The Japanese military “comfort women” have been a subject of transnational feminism that criticizes the patriarchy of war and talks about peace and a symbol connected to the unfinished issue, sexual violence against women.
Kim Eun-ha
This is where the validity of the questions posed by this tangible AI interactive testimony content to the viewer lies: bringing up issues again about what to ask, not what to listen to. That’s because asking well must be accompanied by the constant consideration of the questioner. This, of course, would be to restore asking within the process of listening, not a reconversion or return to asking.
Bae Ju-yeon
Kim Soon-ak was referred to by countless names throughout her life: As we can guess from her multiple names, her life was full of twists and turns we didn’t know or didn’t want to know about.
Purplay Kang Purm
the blanks in written language can connect us to the past more powerfully than the original voice, depending on how we relate to the testimonies.
Song Hye-rim
A Conversation between Gina Kim and Han Sang Kim
Kim Gin-a
Bae Ha-eun
