Webzine-KYEOL │ Research Institute on Japanese Military Sexsual Slavery (RIMSS)

Other Listening to Halmonis, Writing against Denial: A Personal and Scholarly Journey

Stories of “Comfort Women” are as insightful as they are heartbreaking. In this article, the author—an Argentine scholar—traces her journey from her first encounter with survivors and reflects on how it reshaped her personal and professional life, while also following the transnational itinerary of the “Comfort Women” movement across borders.

María del Pilar Álvarez

Culture No Longer Silenced!

A review of Unsilenced: Sexual Violence in Conflict, the UK’s first exhibition focusing on the issue of sexual violence during modern and contemporary global conflicts.

Nikolai Johnsen

Historical Memory “Comfort Girls”: The Forgotten Tragedy of Child Exploitation

The “Comfort Women” system was not only a violation of women’s rights, but also a grave infringement of children’s rights. In this article, Professor Ñusta Carranza Ko examines how imperial Japanese authorities systematically violated the rights of underage girls, in direct contravention of international conventions of the time, reframing the issue as a case of child rights violations.

Ñusta Carranza Ko

[사진 3] 청팍옌 박사 가족이 소유했던 자란 주롱 케칠의 상가 건물은 일부가 과거 위안소로 사용되었다는 이유로 처음으로 보존 대상으로 선정됐다. (사진 제공:케빈 블랙번)

Historical Memory Characteristics of the Issue of Japanese Military Sexual Slavery in Singapore

Until 2022, when the book The Comfort Women of Singapore in History and Memory was published, it was widely thought in Singapore that there were no Singaporean "Comfort Women" who were sexually enslaved by the Japanese military.

Kevin Blackburn

Culture How a Diaspora Director Talks About the “Comfort Women” Issue Through a Documentary

The documentary film , directed by Cecilia Kang, a second-generation Argentine of Korean descent, follows the journey of the protagonist, Melanie Chong, as she confronts and grows increasingly aware of the issue of the Japanese military “Comfort women.”

Cecilia Kang

Activism Second “‘Comfort Women’ Litigation” Ruling Becomes “Magna Carta” of International Human Rights Law

Attorney Sanghee Lee, the head of the Lawyers for the Democratic Society Task Force addressing the Japanese Military “Comfort Women” Issue

Sanghee Lee

Culture Earth Is Not Flat - the Movie “Denial” Review

The movie “Denial” (Mick Jackson, 2017)

Heo Yoon

베트남전 시민평화법정의 판결선고 직후 원고들과 변호사들의 모습 (사진 제공: 시민평화법정 준비위원회)

Current Issue Judgment after 50 years - 2018 People’s Peace Tribunal for the Vietnam War

From April 21 to 22, 2018, the ‘People's Tribunal on War Crimes by South Korean Troops during the Vietnam War’ (hereinafter the ‘People’s Peace Tribunal’) was held at the Oil Tank Culture Park in Mapo-gu, Seoul.

Jang Won-ah

Activism The “comfort women” victims – Unsung heroes who came forward to fight for justice

Marking the 20th anniversary of the ‘Women's International War Crimes Tribunal on Japan's Military Sexual Slavery in 2000’

Yang Mi-gang

Activism Exploring the ‘Women's International War Crimes Tribunal on the Trial of Japan's Military Sexual Slavery in 2000’ through the archives

The ‘Women's International War Crimes Tribunal on the Trial of Japan's Military Sexual Slavery in 2000’ (hereinafter ‘Women’s International War Crimes Tribunal 2000’) was held at the Kudan Kaikan Hall in Tokyo, Japan for six days, starting with the opening ceremony on December 7, 2000, until December 12, 2000.

Editorial Team of Webzine <Kyeol>

Current Issue Online interview between Jeong Yeong-hwan & Pak Noja The issue of the 'comfort women’ that needs to be viewed from a post-division perspective DAY 2

Written by Jeong Yeong-hwan, Professor at Meiji Gakuin University, and Pak Noja, Professor at the University of Oslo

Jeong Yeong-hwan

Culture [We Met, and Now We Are Healing Together] Interview with Ahn Hae-ryong and Ito Takashi

The photo exhibition , in which the victims of the Japanese Military ‘Comfort Women’ (called ‘Comfort Women’) from South Korea and North Korea join together, was held from March 6 to 11 at Exhibition Hall 2 of the Insa Art Center.

Ahn Hae-ryong

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