The “Comfort Women” system was not only a violation of women’s rights, but also a grave infringement of children’s rights. In this article, Professor Ñusta Carranza Ko examines how imperial Japanese authorities systematically violated the rights of underage girls, in direct contravention of international conventions of the time, reframing the issue as a case of child rights violations.
Ñusta Carranza Ko
Testimony and publishing activities concerning wartime sexual violence and “Comfort Women” carried out by the Association of Returnees from China (Chukiren), which atoned for their perpetrators’ actions in postwar Japanese society.
Kim Su-yong
In this conversation, Freedom United Executive Director Joanna Ewart-James and Kyeol examine how modern slavery is sustained by social and institutional systems, how collective action can drive meaningful change, and how historical awareness can deepen our understanding of injustices that persist today.
Joanna Ewart-James
What can art accomplish beyond aesthetics? Randy Jayne Rosenberg examines how it can preserve marginalized histories, support survivor testimony, and move audiences from observation toward ethical responsibility.
Randy Jayne Rosenberg
The Asia Pacific Peace Museum in Toronto, one of the few museums outside Asia dedicated to World War II in Asia, offers education that encourages critical reflection on war, memory, and peace.
Flora Mei-Ling Chong
Asian Women’s Shelter’s executive director shares how the organization began and how it works to serve “not either/or, but all” communities in the San Francisco Bay Area.
Orchid Pusey
The spread of “Comfort Women” memorials across different cities and countries offers insights into both possibilities and the limits of memory activism, especially in an era when the world continues to confront the legacies of colonialism, racism, and historical injustice.
Dr. Daniel Schumacher
In this interview with Kyeol, artist Chang-Jin Lee discusses the vision behind her work and the power of art to communicate, connect people, and inspire change.
Chang-Jin Lee
At times, a single poster can speak more powerfully than a hundred-page book. Kyeol had a conversation with New York-based artist Chang-Jin Lee regarding her COMFORT WOMEN WANTED project and how art can shed light on questions of gender, identity, and memory.
At a time when the history of the Japanese military “Comfort Women” is increasingly being disparaged and distorted, digital archives are expanding their role as both a reliable repository of information and a platform for communication.
Kim Seo-yeon
Reflecting on and exploring how to record, remember, and carry forward the history of the “Comfort Women” beyond the framework of legal remedies.
Editorial Team of Webzine <Kyeol>
