The documentary film <A Boat Departed From Me Taking Me Away>, directed by Cecilia Kang, a second-generation Argentine of Korean descent, follows the journey of the protagonist, Melanie Chong, as she confronts and grows increasingly aware of the issue of the Japanese military “Comfort women.”
The first “art teacher” of the “Comfort Women” survivors who live in the House of Sharing. I met and listened to the story of artist Kyung-Shin Lee, the author of “Flowers Unbloomed,” which contains the behind story of the painting class she conducted for five years from 1993.
Webzine <Kyeol> Readers Talk
Kyung-hee Cho, Assistant Professor, Institute for East Asian Studies, Sungkonghoe University
Written by Jeong Yeong-hwan, Professor at Meiji Gakuin University, and Pak Noja, Professor at the University of Oslo