Historian Harrison C. Kim traces how discourse on “Comfort Women” in North Korea has evolved—at times in dialogue with the outside world—while developing distinct advocacy practices and perspectives.
Is it still possible to remember Bae Bong-gi’s life and mourn her death beyond the adversarial structure between nations?
The documentary film <A Boat Departed From Me Taking Me Away>, directed by Cecilia Kang, a second-generation Argentine of Korean descent, follows the journey of the protagonist, Melanie Chong, as she confronts and grows increasingly aware of the issue of the Japanese military “Comfort women.”
A story of Stintino’s commitment to justice and humanity, its focus on raising awareness and finding solutions to end violence against women, and the arrival of the Statue of Peace in the town.
In 2022, as a result of Japan’s aggressive diplomacy, UNESCO’s MoW inscription rules were revised to require all documents to be submitted through national governments. Additionally, if a concerned country objects, the application is halted from entering the review process and must instead undergo a so-called “dialogue” procedure. Under these revised rules, any attempt by a victimized country to submit documents related to the Japanese Military “Comfort Women” is likely to be blocked before even reaching the review stage due to Japan’s opposition.