Is it still possible to remember Bae Bong-gi’s life and mourn her death beyond the adversarial structure between nations?
The Japanese military “comfort women” have been a subject of transnational feminism that criticizes the patriarchy of war and talks about peace and a symbol connected to the unfinished issue, sexual violence against women.
In the second round of conversation with young scholars, we met with young researchers and activists Lee Eunjin, Lee Jaeim, and Choi Sung Yong, and asked what the issue of the “Comfort Women” in the Japanese military means to their lives, and how it motivates them.
Film researcher Hwang Miyojo sheds light on the documentary film “The Silence” produced by female director Park Su-nam, a second-generation Korean-Japanese. Director Park documented the struggle of Lee Ok-sun, who demanded that the Japanese government apologize and provide compensation, together with 14 colleagues.
In her book <The House with a Red Tile Roof - The Story of Korean Women Who Became the Japanese Military "Comfort Women"> which was translated into Korean in 2014, Kawata Fumiko vividly yet calmly unraveled the testimony of Bae Bong-gi, one of the Korean "Comfort Women" who was taken to Okinawa. Based on the testimonies and data collected from Okinawa residents, Japanese soldiers, as well as Bae Bong-gi, this article describes the detailed circumstances experienced by Bae Bong-gi and the “Comfort Women” surrounding the U.S. military’s air raids that took place on the Kerama Islands, Okinawa.