Exploring the “Comfort Women” through Miji Ih’s three-part project Münder and the exhibition Mangshitori
Historian Harrison C. Kim traces how discourse on “Comfort Women” in North Korea has evolved—at times in dialogue with the outside world—while developing distinct advocacy practices and perspectives.
Film researcher Hwang Miyojo sheds light on the documentary film “The Silence” produced by female director Park Su-nam, a second-generation Korean-Japanese. Director Park documented the struggle of Lee Ok-sun, who demanded that the Japanese government apologize and provide compensation, together with 14 colleagues.
The spread of “Comfort Women” memorials across different cities and countries offers insights into both possibilities and the limits of memory activism, especially in an era when the world continues to confront the legacies of colonialism, racism, and historical injustice.
Is it still possible to remember Bae Bong-gi’s life and mourn her death beyond the adversarial structure between nations?