How a Diaspora Director Talks About the “Comfort Women” Issue Through a Documentary

The documentary film <A Boat Departed From Me Taking Me Away>, directed by Cecilia Kang, a second-generation Argentine of Korean descent, follows the journey of the protagonist, Melanie Chong, as she confronts and grows increasingly aware of the issue of the Japanese military “Comfort women.”

• 2024-10-21
• Cecilia Kang

A Conversation with Sue Finch of Women in Black London (1)

As the history of Women in Black shows, each Women in Black group has its own approach to feminist action, growing out of their local situation, but linked to each other through international theories and conferences.

• 2023-09-11
• Sue Finch

Beyond Nationalism: The Ongoing History of the “Comfort Women” and Gender Politics

• 2022-08-11
• Carol Gluck

Exploring the ‘Women's International War Crimes Tribunal on the Trial of Japan's Military Sexual Slavery in 2000’ through the archives

The ‘Women's International War Crimes Tribunal on the Trial of Japan's Military Sexual Slavery in 2000’ (hereinafter ‘Women’s International War Crimes Tribunal 2000’) was held at the Kudan Kaikan Hall in Tokyo, Japan for six days, starting with the opening ceremony on December 7, 2000, until December 12, 2000.

• 2020-12-03
• Editorial Team of Webzine <Kyeol>