Historian Harrison C. Kim traces how discourse on “Comfort Women” in North Korea has evolved—at times in dialogue with the outside world—while developing distinct advocacy practices and perspectives.
Cheehyung Harrison Kim
The “Comfort Women” system was not only a violation of women’s rights, but also a grave infringement of children’s rights. In this article, Professor Ñusta Carranza Ko examines how imperial Japanese authorities systematically violated the rights of underage girls, in direct contravention of international conventions of the time, reframing the issue as a case of child rights violations.
Ñusta Carranza Ko
A report on the “Comfort Women” survivors rescued by the Allied Forces, as featured in the Chinese magazine “Da Zhan Hua Ji,” published just beforethe end of World War Ⅱ.
Liu Guangjian (刘广建)
Until 2022, when the book The Comfort Women of Singapore in History and Memory was published, it was widely thought in Singapore that there were no Singaporean "Comfort Women" who were sexually enslaved by the Japanese military.
Kevin Blackburn
The role and function of “comfort stations” as revealed in numerous memoirs written by Japanese soldiers
Aya Furuhashi (古橋綾)
Aya Furuhashi sheds light on the unspoken truths that emerge from the gaps between the lines of the the memoir, Wuhan Military Logistics Base, written by Seikichi Yamada.
While warfare continues inflicting damage and suffering in today’s world, and rape of women is still used as an instrument of armed conflicts, it is critical to bring the narratives of the “Comfort Women” into public memory.
Peipei Qiu
IM, Wookyung
Notably, the Batavia Court Martial adjudicated a case involving the Japanese military’s exploitation of Dutch women as “Comfort Women.” This stood as the only trial that addressed perpetrators who abducted women for the purpose of forced prostitution among post-World War II war crime tribunals under international law.
Moon Jihie
What kind of everyday life do the surviving “Comfort Women” victims residing in the leads? the Webzine has arranged an essay series to look at daily life of those who live at the , centering upon the space of the “room.” The fourth protagonist is Kang Il-chul.
Kim Dae-wol