The documentary film , directed by Cecilia Kang, a second-generation Argentine of Korean descent, follows the journey of the protagonist, Melanie Chong, as she confronts and grows increasingly aware of the issue of the Japanese military “Comfort women.”
Cecilia Kang
Written by Paek Sun-haeng, Team Manager, The Museum of Military Sexual Slavery by Japan, an affiliate organization of the Daegu Citizen Forum for Halmuni
Paek Sun-haeng
Rose Camastro-Pritchett’s “Comfort Women” project uses art to honor the dignity and strength of survivors of wartime sexual violence. Inspired by her research and personal experiences, she creates intimate, respectful works that connect historical trauma to ongoing conversations about gender-based violence today.
Rose Camastro-Pritchett
The photo exhibition , in which the victims of the Japanese Military ‘Comfort Women’ (called ‘Comfort Women’) from South Korea and North Korea join together, was held from March 6 to 11 at Exhibition Hall 2 of the Insa Art Center.
Ahn Hae-ryong
More than 10 years after the publication of the picture book “Flower Granny,” which tells the story of Sim Dalyeon, a victim of the Japanese Military “Comfort Women,” author Kwon Yoon-duk released “Yong, Maeng Ho,” the main character of the Vietnam War veteran. What is the story left by the author who has pointed out violence in Korean history through her works?
Purplay Kang Purm
The movie “Denial” (Mick Jackson, 2017)
Heo Yoon
How can we remember the issue of Japanese military “comfort women”? Talking about an issue involves the processes of embracing it as one's own, facing it, and contemplating on it. In December 2019, a compilation album [Tell the Story - The Third Compilation of Songs] commemorating the Japanese military “comfort women” victims was released with the participation of about 30 musicians.
Earkey Project (The <Tell the Story> Project)
What can art accomplish beyond aesthetics? Randy Jayne Rosenberg examines how it can preserve marginalized histories, support survivor testimony, and move audiences from observation toward ethical responsibility.
Randy Jayne Rosenberg
In this interview with Kyeol, artist Chang-Jin Lee discusses the vision behind her work and the power of art to communicate, connect people, and inspire change.
Chang-Jin Lee
At times, a single poster can speak more powerfully than a hundred-page book. Kyeol had a conversation with New York-based artist Chang-Jin Lee regarding her COMFORT WOMEN WANTED project and how art can shed light on questions of gender, identity, and memory.
